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Borrowed chord
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11	COMMON COURSE OUTLINE: Course discipline/number/title: MUSC 2501: Musicianship III A. CATALOG DESCRIPTION 1. Credits: 4 2. Hours/Week: 4 Add to Reading List Source URL: www.rctc.edu Language: English - Date: 2014-11-05 13:48:27 Chords Musical scales Chord progressions Chord Secondary dominant Diatonic and chromatic Borrowed chord Altered chord Modulation Music Harmony Chromaticism
12	music theory for musicians and normal people by toby w. rush Altered Chords up to this point, all the chords we’ve been talking about have been built using Add to Reading List Source URL: academic.udayton.edu Language: English - Date: 2014-11-08 22:22:21 Chords Chord Altered chord Diatonic and chromatic Borrowed chord Secondary dominant Dominant Œ Key Music Harmony Chromaticism
13	0310secondarysubdominants Add to Reading List Source URL: academic.udayton.edu Language: English - Date: 2014-10-18 02:07:16 Chords Chromaticism Chord progressions Subdominant Diatonic function Supertonic Chord Secondary dominant Borrowed chord Music Harmony Scale degrees
14	music theory for musicians and normal people by toby w. rush Borrowed Chords how does a composer decide which altered notes to use? in a major key, Add to Reading List Source URL: academic.udayton.edu Language: English - Date: 2014-11-08 22:22:22 Chords Music theory Seventh chords Borrowed chord Altered chord Œ Root Diatonic function Inversion Music Harmony Chromaticism
15	music theory for musicians and normal people by toby w. rush The Neapolitan Six in addition to the altered root borrowed chords, there is another altered root chord that fits well Add to Reading List Source URL: academic.udayton.edu Language: English - Date: 2014-11-08 22:22:24 Chromaticism Scale degrees Seventh chords Chord progressions Neapolitan chord Sixth chord Supertonic Chord Predominant chord Music Harmony Chords
16	A Graphical Model for Chord Progressions Embedded in a Psychoacoustic Space Jean-Fran¸ cois Paiement [removed] Add to Reading List Source URL: www.machinelearning.org Language: English - Date: 2008-12-01 11:13:53 Music theory Chord progression Chord Tonality Jazz chord Diatonic function Inversion Altered chord Borrowed chord progression Music Chords Harmony
17	Table of Contents PREFACE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 INTRODUCTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Add to Reading List Source URL: www.advancemusic.com Language: English - Date: 2009-11-30 08:56:39 Music theory Seventh chords Chord progressions Chord Jazz harmony Secondary dominant Diatonic function Borrowed chord Tritone substitution Music Harmony Chromaticism